The movie was considered unusually gruesome by early 1960s standards and was banned in the UK until 1968 due to its violent content. In the U.S., some of the film’s more gory moments were censored by American International Pictures prior to its theatrical release. Despite its minor censorship problems, the film was a worldwide critical and boxoffice hit, and helped initiate successful careers for both Bava and star Steele. In 2004, one of the film’s sequences was voted #40 among the “100 Scariest Movie Moments” by the Bravo Channel^.

In Moldavia, in the year 1630, beautiful witch Asa Vajda (Steele) and her lover Javuto (Arturo Dominici) are sentenced to death for sorcery by Asa’s brother. Before being burned at the stake, Asa vows revenge and puts a curse on her brother’s descendants. A metal mask with sharp spikes on the inside is placed over the witch’s face and hammered repeatedly into her flesh.

About two hundred years later, Dr. Thomas Kruvajan (Andrea Checchi) and his assistant Dr. Andre Gorobec (Richardson), are traveling through Moldavia when one of the wheels of their carriage is broken, requiring immediate repair. While waiting for their coachman to fix the wheel, the two wander off into a nearby ancient crypt and discover Asa’s tomb. Observing her death mask through a glass panel, Kruvajan breaks the panel to remove the curious item. Asa’s partially preserved corpse is visible underneath, her face staring out malevolently. Kruvajan is attacked by a bat and he cuts his hand on the broken glass. Some of his blood drips onto Asa’s dead face.

Returning outside, Kruvajan and Gorobec meet Katia (also played by Steele). She advises them that she lives with her father, Prince Vajda (Garrani), and brother Constantin (Enrico Oliveiri), in a nearby castle that the villagers all believe is haunted. Gorobec is instantly smitten by the beautiful young woman. The two men then leave her and drive on to an inn.

The witch Asa is brought back to life by Kruvajan’s blood. She telepathically contacts Javuto and orders him to rise from his grave. He does so and heads off to Prince Vajda’s castle, where Vajda holds up a crucifix to ward the reanimated corpse away. However, Vajda is so terrified by the visit that he becomes paralyzed with fear. Katia and Constantin send a servant to fetch Dr. Kruvajan, but the servant is killed before he can reach the inn. It is the evil Javuto who arrives to bring Kruvajan to the castle. Javuto leads Kruvajan to Asa’s crypt, and he watches in horror as her coffin explodes spectacularly. From its ruins, the vampire-witch rises and attacks the doctor, drinking his blood. Under Asa’s command, the now vampiric Kruvajan enters Vajda’s room and murders him.

Asa’s plan is to drain Katia of her blood, believing that this act will grant her immortality. A little girl who had seen Javuto meet Kruvajan at the inn describes the dead man to Gorobec. A priest recognizes the description as being that of Javuto. The priest and Gorobec go to Javuto’s grave and find Kruvajan hiding inside. Realizing that he is a vampire, they immediately kill the fiend by ramming a long wooden stake through one of his eye sockets.

Javuto finds Katia and takes her to Asa. Asa attempts to drink her blood but is thwarted by the crucifix around her neck. Gorobec enters the crypt to save Katia but finds Asa instead. Asa pretends to be Katia and tells Gorobec that the now weakened and unconscious Katia is really the vampire. She tells him to kill Katia immediately by staking her. He agrees but at the last possible moment he notices the crucifix she is wearing. He turns to Asa and opens her robe, revealing a fleshless skeletal frame. The priest then arrives with numerous torch-carrying villagers, and they burn Asa to death. Katia awakens from her stupor, her life and beauty fully restored.

This film takes us into the heart of Transylvania where Professor Abronsius and his apprentice Alfred are on the hunt for vampires. Abronsius is old and withering and barely able to survive the cold ride through the wintry forests. Alfred is bumbling and introverted. The hunters come to a small Central European town seemingly at the end of a long search for signs of vampires. The two stay at a local inn, full of angst-ridden townspeople who perform strange rituals to fend off an unseen evil.

Whilst staying at the inn, Alfred develops a fondness for Sarah, the daughter of the tavern keeper Yoine Shagal. After witnessing Sarah being kidnapped by the vampire, Count von Krolock, the two follow his snow trail, leading them to Krolock’s ominous castle in the snow-blanketed hills nearby. They break in to the castle, but are trapped by the Count’s lecherous hunchback servant, Koukol. Upon being taken to see the count, he affects an air of aristocratic dignity whilst he cleverly questions Abronsius about his interest in bats and why he has come to the castle. They also encounter the Count’s son, the foppish (and homosexual) Herbert. Meanwhile, Shagal himself has been vampirized and sets on his plan to turn Magda, the tavern’s beautiful maidservant, into his vampire bride.

Despite misgivings, they accept the Count’s invitation to stay in his ramshackle gothic castle, where Alfred spends the night fitfully. The next morning, Abronsius plans to find the castle crypt and kill the Count, seemingly forgetting about the fate of Sarah. The crypt is guarded by the hunchback, so after some wandering they climb in through a roof window. However, Abronsius gets stuck in the window and it is up to Alfred to kill the Count, which he feels unable to do. He has to go back outside to free Abronsius, on the way coming upon Sarah having a bath in her room. She seems oblivious to her danger when he pleads for her to come away with him.

After freeing Abronsius, who is half frozen, they re-enter the castle. Alfred again seeks Sarah but meets Herbert instead, who first attempts to seduce him and then, after Alfred realizes that Herbert’s reflection does not show in the mirror, reveals his vampire nature and attempts to bite him. Ambrosius and Alfred flee from Herbert through a dark stairway to safety, only to be trapped behind a locked door. They also realise night is falling. As they watch horrified, the gravestones below open up and they see that there are many vampires at the castle. The Count appears, mocking them and tells them their fate is sealed. He leaves them to attend a dance, where Sarah will be presented as the next vampire victim.

However, the hunters escape by boiling water under a cannon and blowing off the door, and come to the dance in disguise, where they grab Sarah and flee. Escaping by horse carriage, they are now unaware that it is too late for Sarah, who bites Alfred, thus allowing vampires to be released into the world.

It is a sequel to Hammer’s original Dracula (USA: Horror of Dracula) (1958). Alternative working titles were Dracula 2 and Disciple Of Dracula. Dracula does not appear in the film (Christopher Lee would reprise his role in the 1966 Dracula: Prince of Darkness) and is mentioned only twice, once in the prologue, once by Van Helsing.

Shooting began for The Brides of Dracula on 16 January 1960 at Bray Studios.^[1] It premièred at the Odeon, Marble Arch on 6 July 1960.

Marianne Danielle, a young schoolteacher en route to take up a position in Transylvania, is abandoned in a village by her coach driver. At the local inn, she ignores the warnings of the locals and accepts the offer of Baroness Meinster to spend the night at her castle.

At the castle, she sees the Baroness’s handsome son, whom she is told is insane and kept confined (his leg is chained). When she sneaks to meet him, he says his mother usurped his rightful lands and pleads for her to help. She agrees, and steals the key to his chain from the Baroness’ bedroom. Upon discovery of this, the Baroness is horrified; yet when her son appears, she obeys him and goes into the next room. Later, the servant Greta (who has taken care of the Baron since he was a baby) goes into hysterics. She forces Marianne to look at the Baroness’ body, and the puncture marks in her throat. Marianne flees into the night. She is found, exhausted, by Dr. Van Helsing. She doesn’t remember all that has happened, nor is she familiar when asked with the words “undead” or “vampirism.” He escorts her to the school where she’s to be employed.

When Van Helsing reaches the village inn, he finds there is a funeral in progress. A young girl has been found dead in the woods with wounds upon her throat. He contacts Father Stepnik, who turns out to have asked the expert on vampirism to come here. Father Stepnik has suspicions about the castle and the Baroness. That night, Baron Meinster’s first victim rises from her grave, aided by Greta, as witnessed by Van Helsing and the priest. Van Helsing goes to the castle and discovers the Baroness has now risen as a vampire, full of self-loathing and guilt. After sunrise the next morning, he “releases” her with a wooden stake.

The Baron, meanwhile, visits Marianne at the school and asks her to marry him. She accepts, much to the good-natured envy of her roommate Gina. Once Gina is alone, however, Baron Meinster appears and consumes Gina’s blood. When Van Helsing comes for a visit the next day, he finds the school in a small uproar over Gina’s death. Van Helsing gives instructions about the body — to be kept away from the school and with people watching it until he returns. As it happens, Marianne is alone with the coffin at sunset. The locks on the coffin fall off, and Gina rises. She talks soothingly to a terrified Marianne, asking forgivenss for “letting him love me,” and asking to kiss her. She also reveals the whereabouts of the Baron, who is hiding at the old mill.

Van Helsing discovers the body of the stablekeeper, Severin, and enters the stable just in time to see Gina escaping. Marianne doesn’t want to believe the Baron is a vampire, but she does tell Van Helsing what he needs to know. The vampire hunter goes to the old mill and is confronted by both of Meinster’s “Brides” as well as Greta—who, as a human, isn’t repelled by the cross. Greta is killed in a fall but the cross falls into the well below the mill and is now out of Van Helsing’s reach as the Baron arrives, brandishing a length of chain. In the fight that follows, the Baron bites Van Helsing and leaves him. When Van Helsing wakes, he realizes what has happened. He heats a metal tool in a brazier until it is red-hot, then cauterizes his throat wound and pours holy water on it to purify it; the wounds immediately disappear.

Baron Meinster, meanwhile, goes to Marianne and forces her to come with him to the old mill. He intends to bite and turn her into a vampire in front of Van Helsing. Van Helsing throws holy water into the Baron’s face, which sears him like acid. Meinster kicks over the brazier of hot coals, starting a fire. While the Baron flees outside, Van Helsing takes Marianne up into the mill, then out via the huge sails, which he moves to form the shadow a gigantic cross. The shadows falls on Baron Meinster, who is killed by it, and Meinster’s vampire brides die in the fire.