Archive for the ‘Vampire 1990's’ Category

Interview with the Vampire (1994)

Wednesday, January 28th, 2009

Interview with the Vampire: The Vampire Chronicles is a 1994 film, based on the 1976 novel Interview with the Vampire by Anne Rice. The film was directed by Neil Jordan, and stars Tom Cruise, Brad Pitt, Antonio Banderas, and Kirsten Dunst. It was a box office hit, generating a little over $100 million in domestic receipts.

In present day San Francisco, reporter Daniel Malloy (Christian Slater), is sitting in a room with a man named Louis (Brad Pitt), who claims to be a vampire. Malloy is unconvinced until Louis turns on the light and instantly appears in front of him, moving extremely fast. He agrees to interview Louis, who recalls his previous life and his life as a vampire.

It is 1791, and Louis is struggling to cope with the loss of his wife and child, not caring if he lives or dies. The vampire Lestat (Tom Cruise) attacks him but also offers him a chance to be reborn. Louis decides to take him up on the offer and Lestat proceeds to transform him into a vampire. Lestat begins showing Louis how to live the life of a vampire: sleeping in coffins by day and preying on unsuspecting mortals by night. Louis is not comfortable bringing harm to humans, however, and opts for feeding on animals instead, defying all of Lestat’s attempts to turn Louis to the vampire lifestyle. A despondent Louis finally succumbs and bites his faithful housemaid, killing her. He then burns down his estate, intending to perish in the flames, but Lestat rescues him and the two now-homeless vampires flee.

Renting a flat in New Orleans proper, the two continue to terrorize the public, with Louis still trying to refuse Lestat’s ways. But Louis eventually gives in to his bloodlust and bites a young girl, Claudia (Kirsten Dunst). Lestat arrives at the scene and mocks him; Louis takes off, disgusted by his actions. Lestat later takes him back to the dying girl and Lestat transforms her into a child vampire “daughter” for himself and Louis, to prevent Louis from ever leaving him. Louis reluctantly accepts Claudia, but his scorn for Lestat grows.

Claudia, under Lestat’s tutelage, soon turns into a sadistic killer, frequently toying with her victims before killing them, all the while developing a strong bond with Louis. Thirty years pass and Claudia is left wondering why she remains an eternal child. Lestat explains that she can never grow up due to the effects of the transformation, which she hates him for. She asks Louis how she came to be and Louis takes her to the place where he bit her 30 years before. Outraged, Claudia expresses her hate for him too and runs away, leaving Louis by himself in tears. However, Claudia returns and forgives him for the deed, knowing that Lestat was really responsible for her condition. She wishes for herself and Louis to leave Lestat but Louis says Lestat would never allow it. With that in mind, Claudia tricks Lestat into drinking blood from two dead children. Weakened, she slashes his throat. She and Louis dump his body in a swamp but he later returns, having drained the blood of crocodiles and other swamp life to survive. Lestat attacks them but Louis sets him on fire and flees to Paris with Claudia, leaving Lestat for dead.

In Paris, Louis and Claudia live in perfect harmony but Louis is still bothered by the question of how vampires came to be and if there are any other vampires on earth. But one night, while walking the streets, he is finally met by the vampires Santiago (Stephen Rea) and Armand (Antonio Banderas), who tells him that there are other vampires in Paris and that he knows the answers that Louie has been searching for. Armand invites Louis and Claudia to his coven, the Theatre des Vampires, where they witness Armand and his coven dispatching of a terrified human woman before an unsuspecting human audience. Armand later takes them to his lair and offers Louis a place by his side, while secretly telling Claudia to leave him. Louis refuses to leave his beloved Claudia, however, and leaves. As he does, Santiago warns him that his vampire coven knows about Lestat’s murder and that it is forbidden for vampires to kill another vampire. Louis returns alone to Armand’s lair, where Armand proceeds to reveal that Louis is a unique vampire in that he possesses a human soul and is connected to the “broken-hearted” spirit of the 19th Century. Louis becomes thoroughly smitten by Armand and resolves to leave Claudia at long last.

Returning to his residence, Louis finds that Claudia has brought home a human woman, Madeleine, with the intent that Louis turn her into a vampire to serve as a companion and protector before he leaves. Louis reluctantly gives in and transforms Madeleine, forcing Claudia to admit that they are now even and can part on good terms. Immediately after, however, the Parisian vampires burst in and abduct all three of them. They imprison Louis in a metal coffin and lock Claudia and Madeleine into an airshaft with an open roof. The next morning, the rising sun floods the airshaft and Claudia and Madeleine are burnt to ashes. Armand frees Louis, who searches for Claudia and is horrified and grief-stricken when he comes across her ashen remains. He returns that night to the Theatre and burns them all alive in their own theater as they sleep. Armand arrives in time to help him escape, and once again offers him a place by his side. Louis once again refuses, knowing that Armand choreographed Claudia’s demise in an attempt to get Louis all to himself, and he leaves Armand for good.

Decades pass, with Louis exploring the world alone. He later returns to New Orleans and finds Lestat, still alive but a mere shadow of his former self. Lestat asks Louis to rejoin him, but Louis rejects him and leaves.

At this point Louis concludes the interview, which Malloy, the interviewer, cannot accept. He asks Louis to transform him so he can see what is truly like to be a vampire, but Louis throttles him in a fit of rage, nearly killing him, and vanishes. Malloy hurriedly runs to his car and drives away, feeling happy with his interview as he plays it through the cassette player. Just then, Lestat, who had apparently been hiding in the back seat, attacks him and takes control of the car. Revived by Malloy’s blood, he then offers a dying Malloy “the choice I never had” as they drive off into the San Francisco night, taking out the cassette and turning on the radio, which is playing “Sympathy for the Devil.”

Cronos (1993)

Friday, November 28th, 2008

Cronos is a 1993 film written and directed by Mexican director Guillermo del Toro, starring veteran Argentine actor Federico Luppi and American actor Ron Perlman, the first of several films on which del Toro, Luppi and Perlman have collaborated.

An old antique dealer, Jesús Gris, finds a 450 year old mechanical device in the base of a statue. After winding the ornate, golden, scarab-shaped device, it suddenly exudes spider-like “legs” that grip him tightly and insert a needle into his skin which injects him with an unidentified solution.

The viewer later sees that a living insect is entombed within the device and is meshed with the internal clockwork. This insect produces the solution. However, Gris is unaware of these details.

Eventually, he discovers that his health and vigor are returning in abundance, as is his youth. His skin loses its wrinkles, his hair thickens and his sexual appetite increases. Unfortunately, he also develops a thirst for blood. This at first disgusts him, but he eventually succumbs to the temptation. Later, he dies, but in one of the more gruesome episodes of the movie, he revives in an undertaker’s establishment, with his mouth sewn shut.

A rich, dying businessman, Dieter de la Guardia, has been aware of the existence of the device and amassing information about it for many years. He finally discovers that it was hidden in a statue, and sends his thuggish nephew, Angel, to scour the world for it. This is much to Angel’s chagrin, as he hates his uncle and awaits the man’s death and the inheritance that would bring.

The elderly antique dealer is not willing to give it up, as he has obviously developed a need for it, and senses that a man like de la Guardia would use it for evil. He endangers his young granddaughter in his fight to keep it.

Bram Stoker’s Dracula (1992)

Friday, November 28th, 2008

Dracula (also known by its promotional title Bram Stoker’s Dracula) is a 1992 horror-romance film produced and directed by Francis Ford Coppola, based on the novel Dracula by Bram Stoker. It stars Gary Oldman as Count Dracula in an ensemble cast, also featuring Keanu Reeves, Anthony Hopkins and Winona Ryder. The score was composed by Wojciech Kilar and the closing theme song “Love Song for a Vampire” was written and performed by Annie Lennox. The film was a notable box office hit and won three Academy Awards in 1993. It also established Oldman as a popular portrayer of villains in American film.

The film begins in a prologue, where Vlad III the Impaler was the origin knight of the Dragon. He defeats an overwhelming Turkish invasion in 1462. Upon returning home, he finds his beloved wife Elisabeta (Ryder) dead, having committed suicide upon hearing the false reports of Vlad’s death in battle. Enraged at his wife being eternally damned as a suicide, the former devout Christian Dracula desecrates his chapel and renounces God, declaring that he will rise from the grave to avenge Elisabeta with all the powers of darkness.

Four centuries later in 1862, Jonathan Harker (Reeves), a law firm clerk, travels to Transylvania to arrange the transfer of Carfax Abbey in London, Count Dracula’s (Gary Oldman) newest real estate acquisition. At the castle, full of bizarre, unnatural features and shadows that move by themselves, Harker meets Dracula, a wrinkled, pale old man in brilliant red robes. During the final signing of the real estate papers, the Count caresses a picture of Harker’s fiancée Wilhelmina “Mina” Murray (Ryder), the reincarnation of his long dead wife, Elisabeta. Dracula then sets sail on the ship Demeter to England, leaving Harker captive by Dracula’s insatiable and bloodthirsty Brides, who systematically drink his blood, leaving him weak and unable to escape.

Dracula arrives in London in a box of his native soil, which is transported to the Abbey, where Dracula emerges to ravish and drink the blood of Mina’s best friend, Lucy Westenra (Sadie Frost). Dracula, now a young and handsome prince, meets and gradually charms Mina, but refuses to bite her, instead offering her absinthe to aid her recollection of her past life. As the two fall deeper in love, Lucy’s deteriorating health and noticeable behavioral changes prompts suitors Quincey Morris (Bill Campbell), Dr. John Seward (Richard E. Grant) and Arthur Holmwood (Cary Elwes) to summon Dr. Abraham Van Helsing (Anthony Hopkins), who during a blood transfusion recognizes Lucy as a vampire victim. In Transylvania, Harker escapes to a convent and writes to Mina, who despite misgivings does as Lucy suggests and goes off to marry him. On the ship she writes that she still feels the presence of her “strange friend and misses him. Dracula, grief-stricken and enraged, murders Lucy to transform her into one of his vampire brides.

After Lucy’s funeral, Van Helsing leads Arthur, Seward and Morris to the family crypt, where Lucy has risen as a vampire. Horrified, the group drives a metal stake through her heart and decapitates her. Newlyweds Harker and Mina return to London and join Van Helsing, Seward, Morris and Arthur in hunting Dracula. They arrive at Carfax Abbey and destroy his boxes of soil. The Count, who watches from the shadows, travels to Mina and confesses that he is dead, a hunted creature and the murderer of Lucy. Despite her rage, Mina still loves him and wants to be with him. As she begins drinking blood from Dracula’s chest, the Vampire Hunters burst into the bedroom, with Dracula claiming Mina as his bride before disappearing into the shadows. As Mina begins changing the same way Lucy had, Van Helsing hypnotizes her and learns via her connection with Dracula that he is sailing home. The Hunters depart for the port of Varna via train to intercept him, but discover that Dracula has read Mina’s mind and evades them. The Hunters split up, with Van Helsing and Mina traveling to the Borgo Pass and the Castle, while the others try to stop the Gypsies transporting Dracula.

At night, encamped at the castle, Mina begins changing as the Brides hover nearby. After attempting to seduce Van Helsing she bares fangs, but is rebuffed with Holy Eucharist. As she returns to her human form, Van Helsing surrounds them both with a ring of fire, warding off the Brides until morning, when he wearily infiltrates the castle and kills the Brides as they sleep. Hours later, as sunset approaches, Dracula’s carriage appears on the horizon, driven by Gypsies and pursued by the Hunters. Dracula, sensing Mina’s presence, telepathically commands her to summon a spell that casts harsh winds to impede the Hunters. The carriage finally arrives at Castle Dracula and a great fight that pits the Hunters vs the Gypsies. One Gypsy coats a knife with chloroform and stabs Morris, gravley injuring him. Just as the Hunters kill the last gypsy, the sun sets and Dracula bursts from his box. He fights with supernatural strength but cannot overpower Harker, who slits the Count’s throat with a kukri knife while Morris stabs him in the heart with a Bowie Knife. As the Count staggers, Mina rushes to his defense with a rifle. Arthur tries to attack but Van Helsing and Harker allow her to retreat with the Count, turning instead to Morris, who dies from his injury while surrounded by his friends.

In the castle, in the very chapel where he renounced God, Dracula lies dying. His appearance reflecting his ancient age, his face demonic, he rebuffs Mina’s attempts to pull the knife from his heart. They share an intimate kiss, as the candles adorning the chapel miraculously light, and the desecrations he committed on the altar are repaired. God forgives Dracula, whose youthful appearance and humanity returns. As he asks Mina to give him peace, she shoves the knife through his heart and decapitates him. Mina then looks hopefully up at the vast ceiling, where a painting of Vlad and Elisabeta is shown of them rising, together, up to heaven.

Sundown: The Vampire In Retreat (1991)

Friday, November 28th, 2008

Sundown: The Vampire in Retreat is a Western horror/comedy directed by Anthony Hickox, and written by John Burgess and Anthony Hickox. Filmed in and around Moab, Utah, in 1989, “Sundown” was Vestron Pictures’ last film and it was never released to theaters. Its only public screenings were at film festivals in Seattle and Palm Springs. Released in 1990 on VHS, it has earned a small cult following.

Under the leadership of their ancient and powerful leader Jozek Mardulak, a colony of vampires seek a peaceful life in the desolate desert town of Purgatory. Key to the transition is the town’s artificial-bloodmaking facility and it is just not working. Mardulak summons the human designer of the plant, who brings his wife and two young daughters along for what he thinks will be a pleasant desert vacation. Soon, he and his family are caught up in a civil war as another vampire elder, who abhors the idea of vampires being anything other than predators, organizes a revolution.

From Dusk Till Dawn (1996)

Friday, November 28th, 2008

From Dusk till Dawn is a 1996 action/horror film directed by Robert Rodriguez and written by Quentin Tarantino. The movie stars George Clooney, Harvey Keitel, Quentin Tarantino, and Juliette Lewis. The film was banned in the Republic of Ireland on its release in 1996 and was unbanned in 2000.

Fugitive bank robbers and escaped prisoners, brothers Seth – (George Clooney) and Richie Gecko – (Quentin Tarantino) are fleeing the F.B.I. and Texas police. Seth Gecko is a cold, tough professional thief and anti-hero, while his younger brother Richie is a delusional, homicidal serial rapist and psychopath. During the first few minutes of the film, they first hold up and then destroy a liquor store and kill the clerk, a cop and a woman witness.

The Fuller family — Jacob (Harvey Keitel), the father and a former pastor who has experienced a crisis of faith; his son Scott (Ernest Liu); and daughter Kate (Juliette Lewis) — are on a vacation in their RV. The Fullers arrive at the motel and are promptly kidnapped by the Geckos, who force the Fullers to smuggle them past the Mexican Border. Seth and Jacob make an uneasy truce: if the Geckos can make it past the border, Jacob and his family will come out of the ordeal unharmed. They succeed and arrive at the “Titty Twister”, a strip club in the middle of a desolate wasteland, where the Geckos have agreed to be picked up by Carlos (Cheech Marin), their contact, at dawn.

Soon after entering the bar, chaos ensues as the employees and strippers are all revealed to be vampires. Most of the patrons are quickly killed, and Richie is bitten by the star stripper, Santanico Pandemonium (Salma Hayek), and bleeds to death. Only Seth, Jacob, Kate, and Scott survive, along with a biker named Sex Machine (Tom Savini) and Frost (Fred Williamson), a Vietnam War veteran. They manage to kill the vampires in the bar, but their problems only multiply when the slain patrons — including Richie — are brought back to life as vampires, forcing Seth to kill his brother with a stake to the heart.

During the struggle, one of the vampires bites Sex Machine in the arm. Subsequently, Sex Machine turns into a vampire and bites Frost and Jacob. During the struggle, the makeshift barricades they have erected are breached, and an army of vampires (bats at first) invade from the outside. Seth, Kate, Scott and Jacob escape to a back room, and fashion weapons from items found in the storeroom, including a pneumatic drill, crossbow, shotgun and holy water.

The four then make their final assault on the undead, during which course most of the protagonists are killed, leaving only Seth and Kate alive. They quickly get surrounded by the vampires, but then streams of sunlight shine through holes in the walls. Just then, Carlos attempts to enter the building. On Seth’s call, his bodyguards blast open the door, letting in the sunlight and causing every vampire to die in a massive explosion. Kate and Seth go their separate ways after he leaves her some cash.

As they leave, the camera pans back to reveal that the “Titty Twister” was actually the top of a buried ancient Aztec temple, presumably the home of vampires for centuries, and reveals hundreds of trucks and bikes that have been toppled down the side of the cliff following their owners’ untimely demise.

Blade (1998)

Friday, November 28th, 2008

Blade is a 1998 vampire action film starring Wesley Snipes and Stephen Dorff, loosely based on the published stories of the fictional Marvel Comics character Blade. It was directed by Stephen Norrington and written by David S. Goyer. Snipes plays the titular character, a half-man, half-vampire superhero vampire hunter who becomes the protector of humans against the vampires. Blade grossed $70 million at the U.S. box office, and $130 million worldwide. This success is often credited with starting the current superhero revival in American cinema.[citation needed] Two sequels, Blade II and Blade: Trinity, were subsequently produced.

A man is led to a rave club by a seductive woman, only to find that the club is filled with vampires eager to feed on the human members of the crowd. In the middle of the carnage, a vampire-hunter named Blade arrives. As a half-vampire hybrid known as a “daywalker”, Blade has all the strengths of a vampire but none of their weaknesses except the thirst for blood. He slaughters the vampires in the club, leaving only Quinn alive and horribly burned.

Blade tracks Quinn down to a hospital, but Quinn is able to bite a resident hematologist, Dr. Karen Jenson, before escaping once again. Blade brings Karen back to his lair and introduces her to Abraham Whistler, his mentor and weaponsmith. Karen resolves to study vampirism and find a cure before she becomes a vampire. She soon discovers that the anticoagulant EDTA reacts explosively with the vampire infection. Meanwhile, Deacon Frost, a young upstart in the vampire community, clashes with his vampire elders. He believes that vampires should rise from the shadows and enslave humanity. The elders shun him for his radical views and because he was not born a vampire, like they were. Frost studies ancient vampire lore and comes to believe that he can awaken La Magra, a vampire god, to gain godlike power. Together with his minions, he kills the chief vampire of the region and imprisons the other elders.

Blade combats Frost’s various minions in an effort to uncover his plan, but Frost manages to invade Blade’s lair, kidnapping Karen and mortally wounding Whistler. Blade gives the infected Whistler a gun to commit suicide, then arms himself with a large supply of EDTA. He storms Frost’s home, overrunning the bodyguards, and discovers his own mother, whom he believed dead, in Frost’s bed. She reveals that Frost was the vampire that bit her while Blade was still in the womb and caused him to become a daywalker. Thunderstruck, Blade is defeated and taken to the Temple of Eternal Night for Frost’s blood ritual.

Frost sacrifices the elder vampires in a magic ritual and gains the power of La Magra. Karen manages to break free and feed Blade her blood, giving him the power to fight back. He kills his mother while Karen kills Frost’s lover Mercury with garlic spray. Blade then cuts through Quinn and the rest of Frost’s minions before engaging Frost in swordplay. Frost’s new powers make him immune to normal weapons, so Blade injects him with EDTA, causing Frost to explode. Blade and Karen return to Blade’s lair, where Karen successfully cures herself of vampirism. Blade chooses to forgo the cure in order to continue hunting vampires with their own powers. An epilogue finds Blade killing a vampire in Russia.

Frost sacrifices the elder vampires in a magic ritual and gains the power of La Magra. Karen manages to break free and feed Blade her blood, giving him the power to fight back. He kills his mother while Karen kills Frost’s lover Mercury with garlic spray. Blade then cuts through Quinn and the rest of Frost’s minions before engaging Frost in swordplay. Frost’s new powers make him immune to normal weapons, so Blade injects him with EDTA, causing Frost to explode. Blade and Karen return to Blade’s lair, where Karen successfully cures herself of vampirism. Blade chooses to forgo the cure in order to continue hunting vampires with their own powers. An epilogue finds Blade killing a vampire in Russia.

The Addiction (1995)

Friday, November 28th, 2008

The Addiction is an unconventional 1995 vampire film by Abel Ferrara, starring Lili Taylor, Edie Falco, Paul Calderon and Christopher Walken. It was written by Ferrara’s regular screenwriter, Nicholas St John, filmed in black and white and released simultaneously with Ferrara’s period gangster film, The Funeral.

The film is widely considered an allegory about drug addiction.

Kathleen Conklin (Taylor), a young philosophy student at New York University, is attacked by a woman (Annabella Sciorra), who tells her “order me to go away” and, when the frightened Kathleen is unable to do so, bites her neck and drinks her blood. Kathleen develops several of the traditional symptoms of vampirism, including aversion to daylight, but the film’s main focus is on her moral degradation. The film opens with a narrative of the My Lai massacre, and the vampires repeatedly resort to the strategy of blaming their victims for not being strong enough to resist them. As one of Kathleen’s victims weeps incredulously over the damage, Kathleen coldly informs her: “It’s not my actions but your incredulity that needs examination here.” At her graduation party, she says “I’d like to share a little bit of what I’ve learned” and savages the neck of the nearest person, precipitating a bloody, chaotic vampire orgy. Eventually Kathleen meets Peina (Walken), who claims to have conquered his addiction and recommends that she read William S. Burroughs’ Naked Lunch. In an ambiguous finale, Kathleen is again confronted with the woman who first bit her, who stops her suicide attempt and quotes R. C. Sproul to her. But Conklin resists, receives absolution from a Catholic priest, and is shown walking away from a grave with her own name on it, in broad daylight.

Blood and Donuts (1995)

Friday, November 28th, 2008

A vampire named Boya is awakened from his sleep by a golf ball. He has not been awake since 1969, and marvels at his new surroundings. He does not feed on humans but instead on rats and animals. He meets up with a cab driver who is in trouble with some criminals, and a female donut shop worker who gets stuck in the middle. Befriending them both, they take on each others problems as he tries to protect them and at the same time endangers them by bringing them to the attention of an ex lover from years past, who has been seeking him since they parted. Now they must all form a bond of survival, instinct, passion, blood, and donuts.

Nadja (1994)

Friday, November 28th, 2008

Nadja is a 1994 film by Michael Almereyda starring Elina Löwensohn as the creature Nadja and Peter Fonda as Van Helsing. As the character’s names suggest, Nadja is a vampire film, but treating elements of the genre in an understated arthouse style.

The deadpan acting, episodic nature of the plot, and the presence of Martin Donovan and Löwensohn are suggestive of a Hal Hartley film though he was not involved in the production. The Chicago Review called it “Hal Hartley meets David Lynch”.

The film is shot in black and white by Jim Denault mostly at night in Manhattan and Brooklyn, and is underscored by an incessantly creepy, dreamlike score/soundscape by Simon Fisher Turner as well as the songs Soon and Lose My Breath by My Bloody Valentine and Strangers and Roads by Portishead.

The film was classified R in the USA for some gore and sexual themes. In the rest of the world it generally received M (eg. M 15+ in Australia).

BioHunter (1995)

Friday, November 28th, 2008

Bio Hunter is a Japanese manga series authored by Fujihiko Hosono. It tells the story about 2 molecular biologists, Koshigaya and Kimada who take on humans with strange viruses that make them less human and more demonic. It was serialized in the manga magazine Comic Burger.

The manga was also adapted into an hour-long single-episode anime OVA, produced by Madhouse Studios and Toei Video, directed by Y?z? Sat? and scripted by Yoshiaki Kawajiri. It was distributed across North America and Canada by Urban Vision. The English dub is distributed by MVM Films in the UK and Madman Entertainment in Australia and New Zealand.