Dracula is a 1979 horror/romance film starring Frank Langella as Count Dracula. The film was directed by John Badham and the cinematography was by Gilbert Taylor. The original music score is composed by renowned composer John Williams. The film’s tagline is: “Throughout history, he has filled the hearts of men with terror, and the hearts of women with desire.”
The film also starred Laurence Olivier as Professor Abraham Van Helsing, Donald Pleasence as Dr. Jack Seward, Kate Nelligan as Lucy Seward, Trevor Eve as Jonathan Harker, Tony Haygarth as Milo Renfield, and Jan Francis as Mina Van Helsing. It won the 1979 Saturn Award for Best Horror Film.
Like Universal’s earlier 1931 version starring Bela Lugosi, the screenplay for this adaptation of Bram Stoker’s novel Dracula is based on the stage adaptation by Hamilton Deane and John L. Balderston, which ran on Broadway and also starred Langella in a Tony Award-nominated performance. Notable for its Edwardian setting, and strikingly designed by Edward Gorey, the play ran for over 900 performances between October 1977 and January 1980.
The film was shot on location in England: at Shepperton Studios and Black Park, Buckinghamshire. Cornwall doubled for the majority of the exterior Whitby scenes; Tintagel (for Seward’s Asylum), and St Michael’s Mount (for Carfax Abbey).
Set in Whitby, England (circa 1920’s) Count Dracula (Frank Langella) arrives from Transylvania via the ship Demeter one stormy night. A sickly Mina Van Helsing (Jan Francis), who is visiting her friend Lucy Seward (Kate Nelligan), discovers Dracula’s body after his ship has run aground. After praising her as his “Saviour,” the Count visits Mina and her friends at the household of Lucy’s father, Dr. Jack Seward (Donald Pleasence), whose clifftop mansion also serves as the local asylum. At dinner, he proves to be a charming guest and leaves a strong impression on the hosts, Lucy especially. Less charmed by this handsome Romanian count is Jonathan Harker (Trevor Eve), Lucy’s fiance.
Later that night, while Lucy and Jonathan are having a secret rendezvous, Dracula reveals his true nature as he descends upon Mina to drink her blood. The following morning, Lucy finds Mina awake in bed struggling for breath. Powerless, she watches her friend die only to find wounds on her throat. Lucy blames herself for Mina’s death as she had left her alone.
At a loss for the cause of death, Dr. Seward calls for Mina’s father, Professor Abraham Van Helsing (Laurence Olivier). Van Helsing suspects what might have killed his daughter: a vampire. Moreover, he begins to worry about what fate his seemingly dead daughter may now have since her encounter with the creature. Seward and Van Helsing investigate their suspicions and discover a makeshift tunnel within Mina’s coffin (clawed by hand) which leads to the local mines. It is there that they encounter the ghastly form of an undead Mina, and it is up to a distraught Van Helsing to destroy what remains of his own daughter.
Lucy meanwhile has been summoned to Carfax Abbey, Dracula’s new home, and soon she reveals herself to be in love with this foreign prince and openly offers herself to him as his bride. After a surreal “Wedding Night” sequence (employing lasers and shot by famed James Bond title sequence designer, Maurice Binder), Lucy, like Mina before her, is now infected by Dracula’s blood. However, the two doctors manage to give Lucy a blood transfusion to help prevent her vampirism, but nothing can stop the inevitable now.
Now aided by Jonathan, the elderly doctors realise that the only way to defeat Dracula (and save Lucy) is by destroying him. They manage to locate his coffin within the grounds of Carfax Abbey, but the vampire is waiting for them (despite it being daylight Dracula is still a very powerful adversary to his enemies). Dracula escapes their feeble attempt to kill him and bursts into the asylum to free the captive Lucy. While there he murders his one time slave, Milo Renfield (Tony Haygarth) for warning the others about him. Dracula now intends for he and Lucy to return to Transylvania together.
In a race against time, Harker and Van Helsing just manage to get onboard a ship carrying the vampire cargo bound for Romania. Below decks, Harker and Van Helsing find the Count’s coffin; upon opening it they see Lucy sleeping beside her new “husband”, Dracula. Again they try to destroy him, but the Count awakens and once more fights with his assassins. In the struggle, Van Helsing is fatally wounded by Dracula as he is impaled by the stake intended for the vampire. As the enraged Count now turns his attention to Harker, the dying doctor uses his remaining strength to throw a hook (attached to a rope, from the ship’s rigging), into Dracula’s back. Harker seizes his only chance and hoists the Count’s body up through the cargo hold and into the sunlight above. Dracula then suffers a slow and painful death as the solar rays burn his body to ashes.
Lucy, now apparently herself once more, reaches out to Harker for support, but is coldly rejected by her one time suitor. It is at that moment that she looks up to see Dracula’s cape flying away in the wind, where she smiles enigmatically, hopeful that her true love is not quite so dead after all. It is left up to the viewer to decide the meaning of the ending, specifically whether Dracula is escaping or Lucy is carrying his baby.
